Stepping into the shoes of one of rock music’s most revered percussionists is a monumental task, but German fusion drummer Anika Nilles is ready to rise to the occasion. Recently selected to join Rush for their highly anticipated 2026 and 2027 “Fifty Something” comeback tour, the musician is speaking out about the immense complexity of replicating the late Neil Peart‘s iconic drum parts.
Anika Nilles, who previously hit the road with guitar virtuoso Jeff Beck in 2022, has been deep in rehearsals alongside bassist and vocalist Geddy Lee, guitarist Alex Lifeson, and touring keyboardist Loren Gold (best known for his live work with The Who and Chicago).
In a new interview featured in the latest issue of Classic Rock magazine, the drummer detailed her deep appreciation for Neil‘s distinctive and melodic approach to the instrument.
“[Neil‘s] playing was very energetic, and I really like that. That’s something I feel very comfortable with. I also love playing in a very energetic way. That’s the first thing that comes to mind, and something I really appreciate about his playing. He also had an incredible range of tonal colors. He had a very melodic approach to drumming and used a wide variety of sounds to achieve that. That set him apart and made him stand out to many drummers, for whom he was — and still is — a role model. He had a very distinctive way of playing the ride cymbal. When you listen to the music, that cymbal always stands out prominently. He had a very distinctive snare sound as well. There are certain signature sounds that come directly from his playing — not from the equipment, but from him. You recognize him immediately. Adapting to his way of playing is a challenge,” she admitted.
She went on to explain that mastering the late drummer’s complex, ever-shifting compositions requires strict focus and relentless memorization.
“Neil rarely repeated himself. He kept bringing something new into the song. Even if a section repeated in terms of songwriting, his drumming the second time was different from the first. That makes it exciting and is part of what gives the songs their identity. At the same time, it’s a challenge to remember all those details, because they’re important. It’s a composition; you can’t just ignore certain parts, they’re all essential and have to be played. That’s challenging.”
Fans caught their first official glimpse of the revamped Rush lineup in late March when the group delivered a surprise set at Canada’s Juno Awards in Hamilton, Ontario. For their live debut with Anika Nilles, the band ripped through “Finding My Way“, the opening track from their 1974 self-titled debut album, notably the only full-length release in their catalog that did not feature Neil Peart.
The Juno Awards appearance was a historic moment, marking the first time Geddy Lee and Alex Lifeson officially performed together under the Rush banner since wrapping up their “R40” anniversary farewell tour in 2015. Over the past decade, the legendary Canadian duo had only made sporadic stage appearances under their own names, primarily participating in high-profile tribute concerts honoring Foo Fighters drummer Taylor Hawkins and folk-rock icon Gordon Lightfoot.
In a recent interview with the U.K.’s The Guardian, Lee and Lifeson discussed their initial rehearsal sessions with Nilles, which took place back in March 2025. When asked if they expected their new drummer to reproduce Peart‘s iconic parts exactly, Lifeson explained at the time:
“It has to start there. They have to be true to the arrangements, because that’s the expectation from the fans. But we don’t place any restrictions on her. When she is comfortable and confident in the arrangements, she’s free to enhance them with her own spirit.”
However, Lee shared his early doubts about the collaboration.
“And she will,” he added. “But I don’t think we knew when she arrived what our expectations were, to be honest. When we started playing with her, something felt wrong. And I was, of course: ‘This is not gonna work.’ Those seemingly impossible fills were not a problem for her at all. What was difficult was understanding a relationship between snare, bass drum and hi-hat that’s different from her training.”
Despite a rocky first few days, the trio decided to push forward.
“The first four days were up and down, and she was nervous, and she was jetlagged, and we were unsure. We had a little chat before the last day — ‘I don’t know, Al, is this going to work?’ We talked about all the things we liked about her, and what a work ethic she has, nice person and deep knowledge, deep technical ability. So there’s a lot of positives. So let’s not be hasty. And we went into that last day and she just f**king nailed it.”
Lifeson echoed that sentiment, noting that Nilles successfully tapped into the nuanced subtleties that made Peart‘s playing so distinctive.
“She suddenly understood what we were talking about that whole week, not about the technical aspect, but about the stuff in between the big stuff, that Neil was just so amazing at and those internal dynamics that only another drummer can understand, and it clicked in her.”
Geddy and Alex had already discussed their first rehearsals with Anika earlier during an interview with Leona Graham from the U.K.’s “Absolute Radio.”
Alex said at the time:
“She’s a wonderful person. So that was half of the quest, can we find somebody that’s gonna be really fun to be with? She’s really a lovely person. She laughs easily. She felt immediately comfortable. I think she was quite nervous in those first few days… But she worked really hard. She prepped for it. She had five songs, and we went through those songs. But by the fourth day, Ged and I, we talked and we were quite sold on it. There was something that just wasn’t there quite. And we talked to her about the importance of the feel that Neil had in his drum arrangements. And then on the fifth day, which was the final day that we rehearsed — bang! — she just nailed all those songs. And that turned everything around. And we again got together at the studio and thought, ‘Okay, this is really gonna be worth doing. Let’s talk to her about it.’ And we brought her in and asked her if she’d be willing to continue. And she was really enthusiastic about it. And then we just continued throughout the year. That was in March. And then we got together in June and August and November, and [we went through] more material. And she was feeling more settled.”
Geddy agreed:
“But that was the moment that the final tumbler clicked into place. On that day he’s describing, it was very much like that. We had all these questions, and that day those questions were erased. And we knew we had someone that would be fun to travel with us down this road. That’s when we had to get serious — ’cause we were starting from scratch. We had no crew, really. We had no management. We had to learn about the modern state of touring: how are we gonna put this show back on the road? So, it’s been a lot of work, but we’ve surrounded ourselves with some great people. And now we’re on that road.”
Lifeson confirmed the band is preparing around 40 songs to ensure variety.
“Yeah. [There will be] two sets each night. And our intention is to mix it up from one night to the next in a cycle of about five nights, so that every set will have other songs in them. So that we can really service the fans that like to come to our shows multiple times, give them the opportunity to hear other music. And it’s not just the same show over and over. It’s a lot more pressure [on us], but it’s good. It’s a challenge. It keeps you on your toes.”
Lee noted that the workload for Nilles is immense, as the band continues to add tracks to the setlist.
“Last night we were talking to Anika. We saw her in Berlin. We were doing press there, and we were rehearsing together a few days ago. And there was this one song that we thought, ‘Oh, we should add that to the set.’ We’re up to 39 songs. And so I said, ‘Anika, we’re adding one more song.’ She said, ‘Noooo. I’m just getting comfortable with the first 25.’ So it’s a lot of pressure on her, obviously. I think she has the constitution and the mental capacity to handle it, ’cause she’s gonna be under scrutiny.”
Lee insisted on keeping the specific tracks under wraps for now.
“Oh, we’re not gonna talk about setlists yet, because there are very few secrets in the world of the Internet now. And we know it’ll only be a secret for one week, and then everyone will know. So, obviously there are the big songs that people know and love that we will have to play regularly and we want to play regularly. But there’s gonna be a turnover — about 40% of the set will be different night to night to night. I think we have five different days’ worth of sets.”
Rush “Fifty Something” 2026 Tour Dates:
- June 7, 9, 11, 13 – Los Angeles, CA – Kia Forum
- June 18 – Mexico City, MX – Palacio de los Deportes
- June 20 – Mexico City, MX – Palacio de los Deportes
- June 24, 26, 28, 30 – Fort Worth, TX – Dickies Arena
- July 16, 18, 20, 22 – Chicago, IL – United Center
- July 28, 30, Aug. 1, 3 – New York, NY – Madison Square Garden
- Aug. 7, 9, 11, 13 – Toronto, ON – Scotiabank Arena
- Aug. 21 – Philadelphia, PA – Xfinity Mobile Arena
- Aug. 23 – Philadelphia, PA – Xfinity Mobile Arena
- Aug. 26 – Detroit, MI – Little Caesars Arena
- Aug. 28 – Detroit, MI – Little Caesars Arena
- Sep. 2 – Montreal, QC – Bell Centre
- Sep. 4 – Montreal, QC – Bell Centre
- Sep. 12 – Boston, MA – TD Garden
- Sep. 14 – Boston, MA – TD Garden
- Sep. 17, 19 – Cleveland, OH – Rocket Arena
- Sep. 23 – San Antonio, TX – Frost Bank Center
- Sep. 25 – San Antonio, TX – Frost Bank Center
- Oct. 5 – Denver, CO – Ball Arena
- Oct. 7 – Denver, CO – Ball Arena
- Oct. 10 – Seattle, WA – Climate Pledge Arena
- Oct. 12 – Seattle, WA – Climate Pledge Arena
- Oct. 15 – San Jose, CA – SAP Center
- Oct. 17 – San Jose, CA – SAP Center
- Oct. 25 – Washington D.C. – Capital One Arena
- Oct. 27 – Washington D.C. – Capital One Arena
- Oct. 30 – Uncasville, CT – Mohegan Sun Arena
- Nov. 1 – Uncasville, CT – Mohegan Sun Arena
- Nov. 5 – Hollywood, FL – Hard Rock Live
- Nov. 7 – Hollywood, FL – Hard Rock Live
- Nov. 9 – Tampa, FL – Benchmark International Arena
- Nov. 11 – Tampa, FL – Benchmark International Arena
- Nov. 20 – Charlotte, NC – Spectrum Center
- Nov. 22 – Charlotte, NC – Spectrum Center
- Nov. 25 – Atlanta, GA – State Farm Arena
- Nov. 27 – Atlanta, GA – State Farm Arena
- Dec. 1 – Glendale, AZ – Desert Diamond Arena
- Dec. 3 – Glendale, AZ – Desert Diamond Arena
- Dec. 10 – Edmonton, AB – Rogers Place
- Dec. 12 – Edmonton, AB – Rogers Place
- Dec. 15 – Vancouver, BC – Rogers Arena
- Dec. 17 – Vancouver, BC – Rogers Arena
Rush “Fifty Something” 2027 UK And European Tour:
- February 19: Paris, FRA – La Défense Arena
- February 21: Berlin, GER – Uber Arena
- February 23: Amsterdam, NED – Ziggo Dome
- February 25: Munich, GER – Olympiahalle
- February 28: Cologne, GER – LANXESS Arena
- March 2: Hamburg, GER – Barclays Arena
- March 4: Stuttgart, GER – Hanns-Martin-Schleyer-Halle
- March 8: Glasgow, UK – OVO Hydro
- March 12: Manchester, UK – Co-op Live
- March 16: London, UK – The O2 Arena
- March 18: London, UK – The O2 Arena
- March 27: Kraków, POL – Arena Kraków
- March 30: Milan, ITA – Unipol Dome
- April 1: Basel, SWI – St. Jakobshalle
- April 4: Copenhagen, DEN – Royal Arena
- April 6: Oslo, NOR – Unity Arena
- April 8: Stockholm, SWE – Avicii Arena
- April 10: Helsinki, FIN – Veikkaus Arena
Rush “Fifty Something” 2027 South America Dates:
- January 15: Buenos Aires, AR
- January 22: Curitiba, BR
- January 24: São Paulo, BR
- January 30: Rio De Janeiro, BR
- February 01: Belo Horizonte, BR
- February 04: Brasília, BR
